When I animate I am conscious that I cant draw it all. I did that with the YCN brief and although I didn't hate the final product I feel that the element that was strongest visually was the photographed figure. I am now more aware of constructing each image.
I like to photograph my source typically and am therefore interesting in photography itself and find that lighting is very important. I would like to create an animation where I use photography and set design to construct each scene. Here are a couple of styled photography sets from city magazine that illustrate how I could construct my images, something I may use for the stop shop project.
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