Thursday, 28 February 2008
Norman McLaren
really relevant to my work I cant believe I haven't seen this before.
This is a great inspiration in how to edit stills to create pace and movement
Wednesday, 27 February 2008
E4 Stings
Fiat lux film project- March 13th Deadline
Fiat Lux is currently in production and we're really excited about not only working on a live brief but also the aspirations of the film itself. The project is helping me learn more about making collaborations work and tailoring something specifically for a project and being able to pitch changes, developments and experiments.



looking at using light painting techniques behind the images to build layers
inverting the type for use in end credits and the film ends with the screen being bleached out from the sun
after doing previous tests in stop motion we went to the photographic studio to get better lighting equipment, here are some quick composites slowing them down and adding cross dissolves each time
looking at how this style of type would merge with the original style
rough tests of different ways of animating
original tests



looking at using light painting techniques behind the images to build layers
inverting the type for use in end credits and the film ends with the screen being bleached out from the sun
after doing previous tests in stop motion we went to the photographic studio to get better lighting equipment, here are some quick composites slowing them down and adding cross dissolves each time
looking at how this style of type would merge with the original style
rough tests of different ways of animating
original tests
Wednesday, 6 February 2008
Abstract interpretation of music
I did a couple of testers of what I like to do best, animation timing to music. The control of the medium if animation allows a number of layers of music to be expressed in layers of visual imagery. I would like to develop this idea to put it into context with some stings.
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