Norman McLaren

really relevant to my work I cant believe I haven't seen this before.



This is a great inspiration in how to edit stills to create pace and movement

E4 Stings

personifying the E4 logo and making it dance to a number of music genres



A wolf made from the E4 logo gallops through the mountains and turns purple when howling at the moon



Lime and the coconut mix together, the copy wouldnt be included in the final idea.

Fiat lux film project- March 13th Deadline

Fiat Lux is currently in production and we're really excited about not only working on a live brief but also the aspirations of the film itself. The project is helping me learn more about making collaborations work and tailoring something specifically for a project and being able to pitch changes, developments and experiments.









looking at using light painting techniques behind the images to build layers


inverting the type for use in end credits and the film ends with the screen being bleached out from the sun



after doing previous tests in stop motion we went to the photographic studio to get better lighting equipment, here are some quick composites slowing them down and adding cross dissolves each time



looking at how this style of type would merge with the original style



rough tests of different ways of animating



original tests

Abstract interpretation of music

I did a couple of testers of what I like to do best, animation timing to music. The control of the medium if animation allows a number of layers of music to be expressed in layers of visual imagery. I would like to develop this idea to put it into context with some stings.

VJing

I think vjing is really relevant to my work and think i should explore further


Citysurf 12/07 from Stefan Kainbacher on Vimeo.

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Film Credit Sources

After a meeting with Andrew Du Feu at the film school and above is the three films that he offered up for live briefs.

some ideas:

typography inspiration mm paris
the rest of the alphabet
no ghost just a shell



film credits:
Saul bass, more of a graphic design approach to credits




kyle cooper, live action and revolutionary typography effects for se7en



catch me if you can by Agnes Deygas has great soundtrack, really accurate depiction of a theme



some more good titles